A
F H I J K L M N P R S T V W Z
FURTHER READING
Agarwal, Urmila. North India Temple Sculpture.
New Delhi: Munshiram Manoharlal, 1995.
Appadurai, Arjun. Worship and Conflict
Under Colonial Rule, A South Indian Case. Cambridge: Cambridge
University Press, 1981.
Appaswamy, Jaya. Tanjore Paintings of the
Maratha Period. New Delhi: Abhinav, 1980.
Ayyar, Ramakrishna. Economy of South Indian
Temple. Annamalainagar, 1946.
B
Balasaraswati, T. Bharata Natyam:
The Sacred and the Secular. Ed. V. Subramaniam. New Delhi:
Ashish. 98-108.
Balasaraswati, T. On Bharatanatyam:
Sangeet Natak. 72-73: 8-14. New Delhi, 1984.
Beach, Milo Cleveland. Mughal and Rajput
Painting. New York: Cambridge University Press, 2000.
Bhandarkar, Sir R.G. Vaishnavism, Saivism
and Minor Religious Systems. Varanasi, 1965.
Bhavnani, Enakshi. The Dance in India.
Bombay: D.B. Taraporevala, 1965.
Bharatamuni. Natyashastra. 2nd rev.
ed. Trans. Manmohan Ghosh. Baroda: G.O.S., 1956.
Blurton, Richard. Hindu Art. Cambridge:
Harvard University Press, 1993.
Bose, Mandrakanta. Beyond the Body: The
Idea and Production of Saundarya in Classical Indian Dancing.
Bose, Mandrakanta. Classical Indian Dancing,
A Glossary. Calcutta: General Printers and Publishers,
1970.
Bose, Mandrakanta. Dance Vocabulary of
Classical India. Delhi: Indian Book Centre, 1995.
Bose, Mandrakanta. The Evolution of Classical
Indian Dance Literature: A Study of the Sanskrit Tradition.
D.Phil.thesis. Oxford University, 1989.
Bose, Mandrakanta. Movement and Mimesis:
The Idea of Dance in the Sanskritic Tradition. Dordrecht,
Holland: Kluwer Academic Publishers, 1991.
Brand, Michael and Glenn Lowry. Akbar's
India: Art from the Mughal City of Victory. New York: Charles
A., 1986.
Brown, Percy. Indian Architecture, Buddhist
and Hindu Periods. Bombay: D.B. Taraporevala, 1975.
Brown, Percy. Indian Architecture, Islamic
Period. Bombay: Taraporevala, 1975.
Bundle. Tanjore Palace Records. Tanjore:
Saraswati Mahal Library, 1846.
Byrski, M.C. Concept of Ancient Indian
Theatre. Delhi: Munshiram Manoharlal, 1974.
C
Cameron, Nigel. The Buddha in Life and Art. Hong
Kong: FormAsia, 2004.
Cawthorne, Nigel. The Art of India. San
Diego, 1997.
Chandra, Moti. The World of Courtesans.
Delhi, 1973.
Chandra, Pramod. Studies in Indian Temple
Architecture. Calcutta: Calcutta University, 1975.
Chari, V.K. The Rasa Theory: Theology or
Aesthetics:The Sacred and the Secular in India's Performing
Arts. Ed. V. Subramaniam. Delhi: Ashish. 47-61.
Chatterjee, Ashok. Dances of the Golden
Hall. New Delhi: Indian Council for Cultural Relations,
1979.
Chatterjee, Santosh. Devadasi. Calcutta,
1945.
Chattopadhyay, Aparna. The Institution
of Devadasi According to the Kathasaritsagara, Journal
of the Oriental Institute of Baroda. XVI, No. 3: 216-22.
Coomeraswamy, Ananda. The Dance of Shiva,
Fourteen Indian Essays. New Delhi: Munishiram Monharlal
Publishers, 1970.
Coomeraswamy, Ananda and Gopalkristnayya Duggirala.
Mirror of Gestures [Abhinayadarpana]. 2nd ed. Munshiram
Manoharlal: New Delhi, 1970.
D
Das, K.R. Temples of Tamil Nad. Bombay: Bharatiya
Vidya Bhavan, 1964.
Das Gupta, H.C. History of the Indian Stage.
Vols. I and II. Calcutta, 1946.
Dehejia, Vidya. Devi: The Great Goddess.
Washington: Prestel, 1999.
Desai, Devangana. Surasundaris: Celestial
Beauties in Temple Art. Saundarya: The Perception
and Practice of Beauty in India. Ed. Harsha V. Dehejia
and Makarand Paranjape. New Delhi: Samvad India Foundation,
2003. 44-53.
Desai, Devangana. The Religious Imagery
of Khajuraho. Mumbai: Franco-Indian Research, 1997.
Desai, Devangana. Temple as an Ordered
Whole: The Iconic Scheme at Khajuraho. Journal
of the Asiatic Society of Bombay 70 (1995).
Desai, Vishakha and Darielle Mason. Gods,
Guardians, and Lovers: Temple Sculptures From North India A.D.
700-1200. New York, 1993.
Devi, Rukmini. The Spiritual Background
of Bharata Natyam. Marg. Bombay, 1963.
5-6.
Devi, Rukmini. Bharata Natyam Sastra in
Practice. Bharata Natyam Yesterday, Today and
Tomorrow. Ed. Leela Ramanathan. New Delhi: Sujata Dinesh.
17-28.
De Zoete, Beryl. The Other Mind, A Study
of Dance in South India. London: Camelot Press, 1953.
Dhaky, M.A. and Michael Meister. Encyclopaedia
of Indian Temple Architecture, Vol. 2, Part IV, Calcutta:
Calcutta University, 1983.
Dhananjayan, V.P. A Dancer on Dance. Madras:
Bharata Khalanji, 1984.
Dhruva, H.H. Bharata Natya Sastra; or,
the Indian Dramatics by Bharata Muni,
The Imperial and Asiatic Quarterly Review and Oriental and Colonial
Record, Third series, Vol. 2, 1896.
Dikshitar, Raja Somasekhara. The History
of Chidambaram, Sri Nataraja's Temple. Tanjore: Panditha
Raja, 1969.
Fritz, John, George Michell and Clare Arni. New
Light on Hampi: Recent Research at Vijayanagar. Mumbai:
Marg Publications, 2001.
G
Gaston, Anne-Marie. Bharata Natyam, From Temple
to Theatre. New Delhi: Manohar Publishers, 1996.
Gaston, Anne-Marie. Dance and the Hindu
Woman, Bharatanatyam Re-Reitualized: Roles
and Rituals for Hindu Woman. Ed. Julia Leslie. London:
Pinter, 1991.
Gaston, Anne-Marie. Development of the
Repertoire in Bharata Natyam. Journal of the Madras Music
Academy. Madras, 1991. 95-134.
Gaston, Anne-Marie. The Effect of Changing
Patronage on Indian Performing Arts. Proceedings of the
10th International Congress of Sociology, Mexico City. Sophia,
Bulgaria: Institute of Culture, 1982. 297-308.
Gaston, Anne-Marie. The Place of Indian
Classical Dance in Traditional Indian Culture. The Sacred
and the Secular in Indian Performing Arts. Ed. V Subramaniam.
New Delhi: Ashish, 1980. 62-85.
Gaston, Anne-Marie. Secularization and
De-Secularization of Indian Classical Dance. South Asian
Horizons: Enriched by South Asia. Ed. E. Tepper and J. Wood.
Carleton University Press, 1994. 15-34.
Gaston, Anne-Marie. Siva in Dance, Myth
and Iconography. New Delhi: Oxford University Press, 1985.
Ghosh, Manmohan, ed. Abhinaya Darpanam. Calcutta,
1934.
Giri, Kamal. Apsaras in the Art of Khajuraho.
Khajuraho in Perspective. Ed. K.K. Chakravarty, M.N.P.
Tiwari, Kamal Giri. Bhopal, 1994.
Gnoli, R. The Aesthetic Experience according
to Abhinavagupta, Serie Orientale Roma XI. Roma: ISEMO,
1956.
Gupta, C.B. The Indian Theatre. Banaras:
Motilal Banarsidass, 1954.
Hanna, Judith Lynne. The Performer Audience Connection,
Emotion to Metaphor in Dance and Society. Austin: University
of Texas, 1983.
Harle, J.C. Temple Gateways in South India.
Delhi: Oxford Unviersity Press, 1963.
Iyengar, Srinivasa C.R. Indian Dance (Natya
and Nritya). Madras: Blaze, 1948.
Joshi, O.P. Sociology of Indian Art. Jaipur:
Rawat, 1985.
Kersenboom, Saskia. Nityasumangali, Devadasi
Tradition in South India. Delhi: Motilal Banarsidass, 1987.
Khanna, Sucharita. Dancing Divinities in
Indian Art: 8th-12th Century A.D. New Delhi: Sharada Publishing
House, 1999.
Khokar, Mohan. The 108 Karanas at Chidambaram.
Marg. Bombay, 1963. 13-15.
Khokar, Mohan. Adavus, the Basic Dance
Units of Bharata Natyam. Marg. Bombay, 1963. 16-26.
Kinsley, David. Hindu Goddesses. New
Delhi: Motilal Banarsidass, 1976.
Kothari, Sunil. Bharata Natyam, Indian
Classical Dance Art. Bombay: Marg Publications, 1979.
Kothari, Sunil. Saundarya and Sancharibhavas
in Dance. Saundarya, The Perception and Practice of Beauty in
India. Ed. Harsha V. Dehejia and Makarand Paranjape. New
Delhi: Samvad India Foundation, 2003. 161-166.
Kramrisch, Stella. The Hindu Temple. 1946.
New Delhi: Motilal Banarsidass, 1976.
Lidova, Natalia. Drama and Ritual of Early Hinduism.
Delhi: Motilal Banarsidass, 1994.
Lippe, Aschwin. The Art of India/Stone
Sculpture. New York: Asia Society, 1962.
Lipsey, Roger. Coomaraswamy, Traditional
Art and Symbolism. Princeton: Princeton University Press,
1977.
Mahalingam, T.V. Administration and Social
Life under Vijayanagar. Madras, 1975.
Marglin, Frederique. Wives of the God King.
New Delhi: Oxford, 1985.
Mason, J.L. and M.V. Patwardhan. Santarasa
and Abhinavagupta's Philosophy of Aesthetics. Poona: BORI,
1969.
Mason, J.L. and M.V. Patwardhan. Aesthetic
Rapture: The Rasadhyaya of the Natyasastra, 2 vols. Poona:
Deccan College, 1970.
Meister, Michael ed. Discourses on Siva.
Philadelphia: University of Pennsylvania Press, 1984.
Michell, George. Elephanta. Mumbai:
India Book House Limited, 2002.
Nagaswamy, R. Gangaikondacholapuram.
State Department of Archaeology, Government of Tamil
Nadu, 1970.
Nagaswamy, R. Rajaraja Chola and the Dance.
Sruti. 13:7. 1984.
Nagaswamy, R. The South Indian Templeas
an Employer. The Indian Economic and Social History Review.
Vol II, No 4: 367-372. 1965.
Nandikesvara. Abhinayadarpana. Ed.
Manmohan Ghosh. Calcutta: Sanskrit series, 1934.
Nannithamby, Lokanayaky. The Fine Arts
and Recreation during the Cola Period. Journal of Tamil
Studies. Vol. 1, No. I: 59-71. 1969.
Narayan, Kalanidhi. Sthayi Bhava:
Its significance in Abhinaya Choreography and Scope
for Variations. Shanmukha. XV, No.2: 21-2. Bombay, 1989.
Parthasarathy, T.S. Kshetregna, and Other Pada
Composers. Sangeet Natak. 69: 5-8. 1983.
Parthasarathy, T.S. Padams and Short Lyrics
in Dance. Sangeet Natak. 75: 39-45. 1985.
Parvati Kumar, Acharya. Contributions of
the Maratha Rulers: Their Influence on the
Contemporary Bharata Natyam Scene. Shanmukha. XV, 2: 25-9.
1989.
Pillai, Somasundaram. The Great Temple
at Tanjore. Tanjore: Tanjore Palace Devastanams, 1958.
Pran, Neville. The Nautch Girls and the
Sahib. The India Magazine. 10, New Delhi, January 1990.
42-53.
Prasad, Rajendra. Chalukyan Temples
of Andhradesa. New Delhi: Abhinav Publications, 1983.
Putney, Carolyn. Princely Pursuits: Indian
Miniature Painting. Toledo: Toledo Museum, 2003.
Raghavan, V. The Number of Rasas. Madras:
Adyar Library, 1940.
Rakesagupta. Studies in Nayaka, Nayika Bheda. Aligarh: Granthayan,
1967.
Ramanathan, Leela. Bharata Natyam Yesterday,
Today and Tomorrow. Delhi: Sujata Dinesh, 1985.
Ramnarayan, Gauri. The Vazhuvur Dance Tradition:
Two Perspectives. Sruti. 14: 4-45. 1984-85.
Rangacharya, Adya. Introduction to Bharata's
Natyasastra. New Delhi: Munshiram Manoharlal, 1998.
Rele, Kanak. Indian Classical Dance and
the Challenge of its Preservation. Sangeet Natak. 89-90:
63-70. 1988.
Sadasivan, K. Art of Painting and Devadasis in
Tamilnadu. History, Archaeology, Art and Religion. Ed.
G. Kuppuram and K. Kumudramanai. Delhi: Sundeep Prakashan, 1990.
113-21.
Sarabhai, Mrinalini. Understanding Bharata
Natyam. Baroda: Maharaja Sayajirao University of Baroda,
1965.
Sarada, S. Kalakshetra:
Rukmini Devi. Madras: Kala Mandir Trust, 1985.
Sastri, Nilakanta. A History of South India.
London: Oxford University Press, 1966.
Sathyanarayana, R. Bharata Natya:
A Critical Study. Mysore: Sri Varalakshmi Academies
of Fine Arts, 1969.
Shah, Priyabala, ed. Vishnudharmottara-Purana.
Vol.1. 1958. Baroda: Oriental Institute, 1961.
Sharma, Krishna. Bhakti and Bhakti Movement.
Delhi: Munshiram Manoharlal, 1987.
Shortt, D. John. The Bayadere or Dancing
Girls of Southern India. Memoirs. 1867 8-9, Vol. III: 182-94.
Siegel, Lee. Sacred and Profane Dimensions
of Love in Indian Traditions as Exemplified in The Gitagovinda
of Jayadeva. Delhi: Oxford University Press, 1978.
Sircar, D.C. Devadasis in Buddhist Temples.
Epigraphia Indica. XXXV, No.12: 97-99. 1963.
Sivanandam, K.P. The Dance Compositions
of the Tanjore Quartet. Madras: Ganesh, 1961.
Sreenivasan, K. Devadasi. Madras,
1976.
Srinivasan, Amrit. Reform and Revival:
The Devadasi and Her Dance. Economic and Political Weekly.
1985, Nov. 2, No. 44: 1869-76.
Srinivasan, Doris Meth. Many Heads, Arms
and Eyes: Origin, Meaning and Form of Multiplicity in Indian
Art. Leiden: Brill Academic Publishers, 1997.
Subrahmanyam, Padma. Bharata's Art, Then
& Now. Bombay: Bhulabhai Memorial Institute, 1979.
Subrahmanyam, Padma. Natya Sastra and National
Unity. Kerala: Sri Ramavarma Government Sanskrit College
Tripunithura, 1997.
Subramaniam, V. The Varnam in Bharata Natyam,
a Socio-historical Analysis of its Origins and Development.
Sangeet Natak. 1985 – 75: 23-38.
Tadgell, Christopher. The History of Architecture
in India: From the Dawn of Civilization to the End of the Raj.
New York: Phaidon, 2002.
Vasudevan, Geeta. The Royal Temple of Rajaraja,
An Instrument of Imperial Power. New Delhi: Abhinav Publications,
2003.
Vatsyayan, Kapila. Bharata, The
Natyasastra. New Delhi: Sahitya Akademi, 1996.
Vatsyayan, Kapila. Classical Indian Dance
in Literature and the Arts. New Delhi: Sangeet Natak Akademi,
1977.
Vatsyayan, Kapila. Dance in Indian Painting.
Delhi: Abhinava Prakashan, 1982.
Vatsyayan, Kapila. The Dance Sculptures
of the Lora-Djonggrang (Prambanam). NCPA Journal, Vol VI,
No. I. Bombay, March 1977.
Vatsyayan, Kapila. Indian Art:
The One and the Many. Nehru Memorial Lecture.
London, 1993.
Vatsyayan, Kapila. The Karanas of the Temple
of Sarngapani. Madras: Society for Archaeological Historical
and Epigraphical Research, 1982.
Vatsyayan, Kapila. Marga and Desa and Natya
and Lokadharmi. Ludwik Sternback Memorial Lecture, Vol.
1. Lucknow: Akhil Bharatiya Sanskrit Parishad, 1979.
Vatsyayan, Kapila. The Square and the Circle
of Indian Temple Arts. New Delhi: Roli Books Int'l, 1983.
Vatsyayan, Kapila. Traditional Indian Theatre:
Multiple Streams. New Delhi: National Book Trust, 1981.
Waghorne, Joanne Punzo and Normal Cutler. Gods
of Flesh, Gods of Stone, The Embodiment of Divinity in India.
Chambersburg, Penn: Anima, 1985.
Zvelebil, Kamil. Ananda-tandava of Siva Sadanrittamurti.
Madras: Institute of Indian Studies, 1985.